NEWS! at the Museum
Click a link below to learn more.Children's Museums Work To Stay Germ-Free
At Maine museum, playtime is the rule
Portland has a new place to play!
CMTM fall season begins with auditions on 8/29/09.
CMTM receives $3,000 for cultural arts programming from Target.
CMTM is the recipient of a $1,250 award from the Portland Rotary Charitable Fund.
Children's Museum & Theatre of Maine receives $10,000 endowment grant
Have a Ball is back!
Welcome to our new website
Zero tolerance lead policy
Research on the importance of play
Children's museums are a place where kids -- and their parents -- are encouraged to touch anything and everything. But as they do that, they could be spreading germs.
At the Children's Museum and Theatre of Maine in Portland, Lucy Bangor said in addition to having a cleaning crew come in each night, they put their hard props in the dishwasher every night and put their soft props, like stuffed animals, in the washing machine every night.
Click for the full WCSH 6 article.
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Do you want to slide down the fire pole? Or milk the cow? Can I take your picture on the boat, holding the lobster?
At the interactive Children's Museum & Theatre of Maine, where tots to teens are not only encouraged, but expected to touch everything, such questions are common.
The museum, located on Free Street in the arts district of this compact city of just over 64,000, puts little ones front and center. Here it's all about playing and exploring.
Click for the full Boston Globe article.
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Huge slabs of granite dominate the knoll; you can jump from one to the next, scrambling to the top.
Close your eyes, and you might be hiking the Cathedral Trail in Baxter State Park or jumping across the rocks at Mackworth Island. Upright logs and granite columns sunk into the ground could be towering pines or dockside pylons.
For the kids who use the new Deering Oaks playground, the adventures will be limited only by imagination.
Click for the full Portland Press Herald article.
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Children's Museum & Theatre of Maine will embark upon its first full theatrical season since the merger of the Children's Museum with the Children's Theatre last November. Auditions to cast young actors in the season's fall show, Everyone Knows What a Dragon Looks Like, will take place on Saturday, August 29th at 1pm. The Museum & Theatre will cast about ten children between the ages of nine and sixteen to perform the tale of an orphan boy and his unexpected ally who team up to save a city from wild horsemen.
Theatre Artistic Director Reba Short expects the audition turnout to be double what it was last year. "Since we made our permanent home here at the Museum, we've grown our presence in the community with strong productions, summer camps and workshops," explains Short, who was on staff at the Theatre prior to the merger. "Kids are seeking creative ways to explore who they are; parents are seeking enriching activities that don't require an overwhelming financial commitment. A lot of families are discovering that children's theatre is an activity that works for everyone."
Other shows in the 2009-2010 season will include Cinderella, The Emperor's New Clothes and The Rabbit Who Wanted Red Wings; all were selected to underscore the season's theme, "Things Are Not What They Seem." In response to audience requests for season tickets, CMTM has introduced a Season Flex Pass, offering families sixteen tickets at a discounted rate. Flex Pass tickets can be used for any show or combination of shows throughout the season.
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Children's Museum & Theatre of Maine announced that it has been awarded a $3,000 grant from Target. The award from Target is a one-time gift to fund a cultural arts performance series for Portland area elementary school students.
The performance series will be part of a multicultural arts program that has been offered in and around the We Are Maine exhibit for the past four years. We Are Maine uses video testimonials and cultural games, foods and traditions to highlight connections between Maine families and countries around the world. Target's gift will fund visits from professional musicians, dancers and performers from around the world, as well as admissions for students and educators.
Since 1946, Target has given 5 percent of its income to the communities it serves. Target stores carry on this tradition by making local grants and supporting volunteer initiatives. Target is proud to partner with the Museum & Theatre to make the arts education affordable and accessible for families and communities nationwide.
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The Children's Museum & Theatre of Maine is the recipient of a $1,250 award from the Portland Rotary Charitable Fund. The funds were proceeds of a raffle for a private tour of the Bahre antique auto collection. Rotarians George Crockett, Russ Burleigh and Rick Snow led the fundraising effort.
In these challenging economic times, it's especially important to receive community support, says Suzanne Olson, Children's Museum & Theatre of Maine Executive Director. We're delighted to use Rotary funds to support learning through play for all young children and families.
Winners of the raffle enjoyed a private tour of the acclaimed Bahre collection in Paris Hill on June 13th. The Museum & Theatre's next major fundraising event will be their 4th annual golf tournament to be held on September 21st at Nonesuch River Golf Club.
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Children's Museum & Theatre of Maine announced that it has been awarded a $10,000 grant from Robert and Dorothy Goldberg Foundation, a private foundation. The award from the Goldberg Foundation is a 1:1 match to the $10,000 the Museum & Theatre raised during the 2009 fiscal year in support of its endowment fund.
"Building for a bright future, preparing for growth that's just as important for the Museum & Theatre as it is for the children who visit us," says past Board President John Massengill. "We're committed to inspiring the children who learn with us today and to inspiring generations to come. The Goldberg Foundation's support of the endowment helps us honor that commitment."
The Children's Museum & Theatre of Maine is a non-profit organization. The Museum & Theatre's endowment fund helps position the organization strategically for long-term sustainability. The funds are restricted and invested to generate revenue in the future.
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How do balls move? What makes them travel along a track, up and down hills, or off a jump? Find out on July 3rd at the Children's Museum & Theatre of Maine when it opens its new permanent exhibit: Have A Ball.
Have A Ball made its original debut in 2006 as a temporary exhibit in the Museum's traveling exhibit space. The concept and design for the exhibit were originally inspired by the book Raceways: Having Fun with Balls and Tracks by Bernie Zubrowski. Over the past three years the Museum featured the exhibit twice more, each time improving on its original concept and design.
During its last installment, visitors made it clear to the staff that Have A Ball needed to be a permanent fixture at the Museum. To meet this demand the Museum has done the most extensive overhaul to date to create a brand new experience for the repeat visitors while still maintaining elements that had made it so popular.
Have A Ball is an interactive exhibit that teaches children of all ages about the physics of movement with balls. Narrated by Daisy, a curious pug dog, children are introduced to science vocabulary while being asked to test hypotheses and formulate conclusions.
Popular components include an adjustable ramp that lets children jump a ball into different cups by changing the slope and a challenging ramp with a rotating cup that teaches kids that timing is everything. New to Have A Ball is a twin ball launcher that lets children launch balls through tubes to the ceiling onto two different suspended ramps that wrap around the room.
The exhibit opens in the lobby gallery July 3rd for the First Friday Art Walk and is scheduled to remain up through the 2010 season.
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What is going on in front of the museum?
05.06.2009
Is the museum digging for dinosaurs? The museum is getting a new ramp. Over the last few years the retaining wall has deteriorated and needed to be replaced. The New ramp will look like the original ramp, but will include some upgrades to make it more code compliant. The construction should take less than four weeks and the museum will be open for the duration. A temporary ramp is installed and can be accessed on the parking lot side of the building.
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Here you will find information about the organization, our programs & performances and our commitment to our community.
We are putting the finishing touches on our new website this week. When complete, the website will provide options to donate and buy memberships online, request reservations for birthday parties and group visits, and sign up for special programs. Please take a look and enjoy all the new features!
We hope to see you soon at the Children's Museum & Theatre of Maine!
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Zero Tolerance: Detecting Lead in a Children's Museum
03.03.2009
By: Suzanne Olson and Suzanne Eder, Children's Museum and Theatre of Maine
Hand to hand: Quarterly Journal of ACM (Spring 2008) Children's Museum: Clean and Safe Places to Play
03.03.2009
By: Suzanne Olson and Suzanne Eder, Children's Museum and Theatre of Maine
Hand to hand: Quarterly Journal of ACM (Spring 2008) Children's Museum: Clean and Safe Places to Play
The Children's Museum of Maine Board of Directors and staff believe that the Museum has the responsibility and opportunity to serve as a thought leader in early childhood learning in our community and beyond. When news of toy recalls surfaced in the fall of 2007, we began a serious discussion about how we as an institution focused on the children should respond to this concern. We asked ourselves if the products we make available to young children in our exhibits, as well as our store merchandise, were free of lead. This question and the pursuit of its answer have taken us on a journey far more complex and emotional than we ever imagined...
Shana Jaques, Store Manager and Buyer, reports, "I want our customers to feel good about their purchases, both their educational value and because the purchase supports the museum, a local non-profit. Our toys, books and gifts are carefully chosen with learning in mind. We take toy safety very seriously, and we know that lead poses real risks to children's brain development.
"When the wave of toy recalls began, we felt obligated to take action. Our vendors quickly reassured me through letters and by referring me to Web postings that their products were safe. We have many longstanding relationships with these vendors. I am sure that they believed their products were free of lead, but knowing how difficult that is to verify, we wanted to test the specific toys we were selling."
The quest to host a public lead screening of toys initially began as a result of correspondence between Science Coordinator Suzanne Eder and her friend Jocelyn Hubbell, the executive director of Cornerstones of Science (COS), a national science literacy initiative with offices in Maine. Cornerstones of Science, founded by Massachusetts scientist Dr. Lee Grodzins, Ph.D. and MIT Professor Emeritus, agreed to hold a public screening at the Museum.
Before holding the public lead screening, we felt strongly that it needed to have our own products and exhibit components screened to set an example for the responsible purchasing and sale of toys. In late November (2007), Hubbell and lead experts Grodzins and John Pesce spent a day at the Museum investigating the possible presence of lead in our store's toys. Museum staff helped record the results of this tedious yet highly informative process.
Using the ThermoScientific Niton XL3 analyzers, which are specifically programmed to report a concentration of lead in terms of milligrams of lead per square centimeter of sample area being measured, the scientists tested hundreds of items. The Niton XL-3 is a professional x-ray fluorescence analyzer used world-wide for lead inspection by most of the major toy manufactures and suppliers. Grodzins is also director of advanced research on portable elemental analysis for ThermoFisher Scientific. He started the Niton Corporation in 1986, which became part of ThermoFisher Scientific in 2005. In addition to his work at COS, Grodzins continues to develop the portable lead analyzers that he invented in 1994. Pesce, senior market specialist for Thermo Scientific Instruments, is a Master Licensed Lead Paint Inspector and is a nationally recognized expert in lead testing.
The Museum asked Grodzins and Pesce to determine whether lead was present in any of the toys sold in the museum store or included in museum exhibits. They measured the number of micrograms of lead present in square-centimeter test areas on all of the toys. They typically took several readings of different parts of each toy since toys are generally made from many parts, each of which is a potential source of lead. They were not asked to assess the level of risk from lead in toys to the health of a child, because in Grodzins' opinion, "I know of no responsible group who believe that this is generally possible given our state of knowledge about this complex issue."
We decided that we did not want to see any toy that contained a measurable amount of lead. Grodzins and Pesce agreed. Again in Grodzins' words, "I can tell you from the strong words of my daughter-in-law as well as co-workers with small children that zero tolerance means just that. If a toy has detectable lead, I don't want it. I have enough to worry about." Tensions were high when the lead screening gun was aimed at museum favorites. How would we bear to terminate some products in the event that they had detectible levels of lead? Could we find substitutes? Huge sighs of relief resounded through the store and exhibit areas when results indicated the absence of lead. Conversely, looks of deep concern were equally as prolific with the news of positive results.
One surprising result of this study was the seeming inconsistency in products that had lead versus those that did not. One assumption prior to the screening was that metal toys would contain high levels. It was also generally perceived that toys made in China would have lead, whereas European products would be lead free. Neither of these assumptions proved to be consistently true. Of the toys that tested positive for lead, some were made in China, and others were not. Some were metal, and others were rubber, plastic or fabric. Many, but not all of them, had red or yellow colors - a revealing trend that surprised museum staff members.
Jaques' reaction? "It was an eye-opening experience. Trace amounts at non-hazardous levels are found in almost everything." Here are some key findings:
- Lead can be imbedded in a toy's "plastic matrix" as easily as in its surface paint.
- The makers of any non-toy item, jewelry for example, may not even attempt to meet toy safety standards.
- Beware of discontinued or discounted merchandise. Why is it on sale? Not all companies may be dealing with unsafe merchandise in a reputable way.
- The U.S. tries hard to safely dispose materials like computer monitors and TV screens, but some of the material comes back in the form of recycled glass toys. Marbles, for example, may contain high levels of the very chemicals we did not want in our landfills.
- Just because one batch of product is lead free does not mean that a future batch of the same product will be lead free. You must test each batch each time to be sure.
With the data in hand, the Museum now needed to decide what actions to take. It was important to remember that a positive measure of lead is not a measure of health risk. The instruments used in the screening process were looking for the presence of lead, but they were not meant to detect health risk or lack of regulation compliance, as fulfillment of those regulations require laboratory tests. Since we had decided that we would take a zero tolerance position, we ultimately removed all of the items that indicated a detectible level of lead.
But there were additional, difficult ethical considerations that needed to be addressed. What was the museum's responsibility for informing visitors about products that had detectible levels of lead? How would we respond to the public's questions about the process? How would we deal with new products coming into the Museum after the screening was completed? In a global economy, regulating and enforcing lead standards in toys is very difficult.
Armed with accurate information and wonderful support from our scientist team (Grodzins and Pesce), the Children's Museum staff removed all questionable products from our exhibits and our store shelves and took the next difficult steps on the zero tolerance journey. Science Coordinator Suzanne Eder reflects, "It is a sobering experience to realize that any toy could contain lead. I felt naive in placing trust in companies to ensure that their products are safe. I now ask more questions. Has this toy been tested for lead? If so, who has tested it and with what instruments? Do I feel at ease with a child putting this toy in her/his mouth? It is extremely comforting to know that toys housed within the Museum's walls are lead-safe."
In late November, the Museum offered a brief lecture on lead in toys and a free lead screening session for toys brought in by area residents. Both the lecture and the screening were conducted by Grodzins and Pesce. In his lecture, Pesce stressed that while toys with lead can pose a threat to children, the greater threat is from lead in paint and in soil. In his words, those amounts of lead are, "orders-of-magnitude greater as are their concentrations. The risks are real, documented and contain no ambiguity."
Parents who brought in their children's favorite toys for screening shared our level of concern and were very appreciative of the opportunity to learn first hand whether or not their toys contained detectible levels of lead. As was the case with the Museum's own toys, some were safe and others were not. Grodzins noted that "many toys with substantial levels of lead pose almost no risk." He recalls an example of "a solid, high-lead-level PVC top of a well-built train. The lead would not come off by rubbing and no child could swallow it." On the other hand, he cities potentially serious problems with little cars that have small, rubber-like wheels containing lead. The wheels easily come off and are easily swallowed. The same problems can be present in "small molded animals and dinosaurs, bought by the dozen for a few dollars, with appendages that can be bitten off and swallowed. We tested one beetle that had a lead concentration of about 2,000 ppm. There would be consequences if a child swallowed even one of the legs."
Museum member and mother of a toddler Jenn Libby writes, "I am so grateful for the leadership of our children's museum administration and staff have shown in keeping children safe. The opportunity to listen to the lecture and have our toys tested was informative and brought great peace of mind considering the silent but deadly effects of lead. It was amazing to meet with lead-testing. If this opportunity hadn't been made available to our family, our daughter would still be playing with her maracas that had detectible levels of lead."
Our next step was to contact the Consumer Product Safety Commission and our venders. We sent a formal report to each vender listing toys that did not meet our lead standard (no detectible level of lead). In the letters we identified the items, listed the violations and gave them the scientists' contact information if they wanted to know more specifics about the lead levels. We also asked for call tags for return of the product and a refund on our purchase. Responses from our venders have been mixed. Most respond with a form letter attesting to the safety of their toys, but all have refunded our purchases. A few have contacted our scientist friends for further information and have followed up with testing of their own.
One of our most responsive venders was Olga Suarez, President of Jelli Jewels, a company producing children's jewelry. Upon receipt of our letter, Olga called us for information and began her own journey to challenge or verify the testing results her company had already received from their venders. A grandmother of young children, Olga was sincerely concerned about the safety of her products. She has actively worked to clarify all questions and to provide us, a very small customer, with the information we need to continue our relationship with her.
Although we felt thoroughly satisfied with our process, information, and actions in the early stages or our journey, we quickly realized that we face a huge challenge going forward. How were we going to continue to screen incoming store merchandise and exhibit supplies? Professional lead-testing is very expensive. Fortunately, our scientist friends graciously agreed to adopt the Museum and volunteer to do screening on a regular basis. Now when we order stock and receive the merchandise, it is set aside until the screening takes place. Once the merchandise is cleared, it can be placed on the store shelves and in exhibits. This is a cumbersome process, and asking for this level of volunteer help for an indefinite period of time is not reasonable. We are uncertain about how we will maintain this level of safety in the future.
A bit of a surprise has been the response from our Museum visitors and Explore Store shoppers. Jaques reports that about one-third of shoppers are extremely appreciative of the measurers we have taken and promise to spread the word to their safety conscious family and friends. Another third don't believe that we have actually done the screening despite our printed statements and verbal assurances. The remaining third report that they don't view lead as a issue. After all, they all drank from lead pipes and grew up with lead in their paint, yet they are still healthy and happy...
After reading this article, we believe that our colleagues will ask themselves what, if anything, they can do about lead levels in their own museums. Lead paint testing takes place in every major city in the United States. Perhaps, you, too, can find people who will volunteer their time and expertise to start you on your quest for zero tolerance.
What comes next for us is the hope that changes will take place at the national and international level so that lead levels in all children's products will be established internationally and that there will be sufficient monitoring of products to ensure that what we purchase for children will be safe without our needing to do our own screening. We are aware that a major U.S. toy company and a huge U.S. department store are now taking steps to establish their own extensive lead screening programs.
As is the case with most difficult decisions we make in our lives, you make a decision because it feels right to you, regardless of the feedback you get from others. Once we knew that we were providing and selling toys with detectible levels of lead, there was no turning back.
Suzanne Olson is the executive director of the Children's Museum of Maine in Portland and Suzanne Eder is the museum's science coordinator.
Click here to read the full Hand to Hand Spring 2008 Issue
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Books:
- The Genius of Play: Celebrating the Spirit of Childhood
Sally Jenkinson, Hawthorn Press, Early Years Series - Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder
Richard Louv, Algonquin Books of Chapel Hill (a division of Workman Publishing)
Articles:
- The Shape of Play Today - Kitetails Article, Winter 2007
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